Saturday, March 26, 2011

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Thursday, March 24, 2011

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Tuesday, March 22, 2011

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Sunday, March 20, 2011

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Monday, March 14, 2011

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Sunday, March 13, 2011

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STANLEY KUBRICK - Early


"is certainly the kindest person I ever met. For it is hard to be born in the Bronx and have the mentality of the neighborhood, so he tries to hide. Under this shell is a loving man and well-defined values \u200b\u200bthat you do not like pain and who can not bear to see people or animals suffering. I was very surprised. " Matthew Modine

born on July 26, 1928 in Jewish family, upper middle class. Soon becomes a introverted child, dependent on his mother and lines Overall, a boy with freedoms s current character somewhat. His qualifications speak

a mediocre student, not excel in any field. Only attracted to jazz, before their taste for photography and chess, elements that would be important to the final in his role as director.
Tastes like each other, with more than one point in common.

The same prison represented sitting at a chessboard or a battery in the back of a band of nine musicians. The look of a voyeur so behind the lens of a camera like a film camera.

The wait for the proper movement, infinite patience, pace and careful choice, the important background music. Traits that were shaping their beginnings and cement his vision of art.


In the solitary world of chess was ac tournament ompetir barria
them for small amounts of money, saved hard.

His father is the defining influences in his adolescence, their thirteen, with the gift of an old Graflex camera. His love of photography led him to the most prestigious journal of that time called Look . known data but not his brief stint as a drummer in a jazz band (prefer their music with the classic).

This quickly brings prestige and a lot of money to finance themselves and their inevitable next step as a filmmaker.

His early shorts were funded with them, saving his father
and unconditional friendship of his first great friend and then partner: J. Harris .

Four times between the years 1951-1953, three documentaries for television and a little-known episode. The rest is a familiar topic for all who love his films.



"Imagine a chess grandmaster who are just three minutes and ten movements. Spend two minutes on a single play because he knows that if he does well, you lose the game and tops the other nine strokes in a minute. And it may work. In film, you are faced with decisions as
ta continuously. You're always comparing the time and resources to quality and ideas "
Stanley Kubrick

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Monday, March 7, 2011

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" Love is forever "
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Sunday, March 6, 2011

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Sunday, January 9, 2011

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Saturday, January 1, 2011

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MORE BIZARRE PHOTOS TOP 10 best films of Charlie Chaplin


If the end of decade always leads to the inevitable (and joyfully) balance of "the best of" not wanting to stay outside with some of cinema and music, but with the characteristic feature of this anachronistic blog.

Why not start (or a top 3, not a top 5 ... a top 10!) With one of the pioneers of this art called movies, the great Carlitos , then continue with other characters as foundational as it.

will see that the comments are repeated the words "courage," "genius" and "melodrama." Also, "Chaplin", which would become a prime example of each.




Perhaps one of his movies most criticized for excessive sentimentality and with a dog, was build at the time his great fame. And we agree that a tenth place in films like Chaplin , is not negligible.


Packed with ingenious gags, how valuable is that "play" with the war in a way that can only be sympathetic because it is "one of Chaplin " as it was made during the first war and released only 3 weeks before finishing.


Autobiographical in its full form, brave the displaying of its decline and the loss of his audience, a summary of his life as his character, which at this point seem to be only one. The soundtrack, creating Chaplin is as famous as the film itself (versioned from Michael Jackson to Robert Downey Jr !) And accompanies its palpable melodrama.

Only 10 minutes on stage next to another great humor like Buster Keaton justify their vision and their inclusion in this list.



Great moments in his film takes this film, but a patchwork fashion, with no real coheción would do that was higher on this list. Compulsory viewing in almost all primary schools Argentina, bears his imprint of man's social criticism at the mercy of the machines and capitalism and grows with its many brave gags, like the salt / drug or flag in front a Communist demonstration.

The final ugly talk is more a critique of the new sound film a bad gag. Chaplin's the typical end to a destination basis of freedom without order, does not provide anything else, just leave us the nod of nostalgia repetition and its trademark.



I have a special affection for this The Circus not because it is different in his films but only because it contains an incredible pace, each and every one of the virtues of his character and cinema. Count here would not have all the grace that has the view and enjoy this movie.



The excellent performance by Charles is always more visible to mainstream the subtlety and melodrama in a more serious. Contains the most poetic and sentimental scene near the end of Lights .. . (The reunion held in the police van next to the small Jackie Coogan) in all his movies.

The Kid is a precise combination between the naive of their short and imminent next "serious" Charles .



"is above all praise for the better. Chaplin, who always remained on the borders of what is film, the end has enriched the world of cinema with other things (how to say if not, ideas, gags, intelligence, dignity, Beauty, gestures?) that all other directors together. "
Jean-Luc Godard



The exact melodrama, that I always longed to perform mixed of humor and tragedy that today both criticized for being almost its creator, achieved City Lights. With a corny idea to enter your bum and a blind flower girl, carries a masterpiece without being a great film about aesthetics, but in its real sense.

The famous ending is of unprecedented ambiguity in his films, apart from the happy endings-sometimes introduced force-and betting on a bittersweet, logical and beautiful conclusion. The definitive work on what is said of the character and life of your bum. And that is something.



A concise and sober narrative, the latter a rarity in it, which keeps pace with the best gags of the harvest make it stand out as a finished gem. The dance of the bread, the food at boot-shaped house teetering on the precipice and his dream of a rooster, are only moments a great whole.

16 months of filming in 5 different locations were not in vain. If you only have to show a film of tramp would be this.



Amazing that his two best works are with sound and dialogue, being the genius of silent film in person. The Great Dictator first born as a joke, by the appropriation of Hitler mask Charlot and its universal and mustache.

The scene of the globe, with its obsession with poetry and pathos of the dictator is a testament to an unforgettable film, gigantic to be linked to the rhythm of the scene in the barbershop to the sound of progress Brahms Hungarian and dance / fantasy.
A happy scene is not played by Paulette Goddard limited -by crying in front of the ghetto, and the final speech for some sounds pompous, does not obscure the courage of a great film.

If it is not his best film, it is risky to embark on a production throughout the United States in an ambiguous abstention during the peak of German dominance and influence, making it much more valuable and a pain in the tujes of Hitler himself / Hinkel.




I have no doubt that the version of Orson Welles had been sublime, but this character actor in the hands of more recognized and beloved of his time involves a daring style that surpasses any form. With it, Chaplin reaches its end and achieves maturity Artisit first of his previous indifference and loyal audience. Man

beautiful in the end most of his films, this stands as witness the "murder" of himself and his tramp, as a metaphor for the decline of his character at the hands of a new audience interested in other things.


His great masterpiece, bittersweet, spoken in his old age, without his beloved tramp.

"It is significant that of Chaplin's best films can be revised indefinitely without diminishing the pleasure of seeing them on the contrary, it happens no doubt that satisfaction is caused by some gags so much deeper than it is inexhaustible, but especially the comic form, and aesthetic value due to the factor no surprises. This, exhausted in the first vision, gives way to a much more delicate pleasure is waiting and the recognition of perfection. "
André Bazin